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Camellia Japanese Teacup

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Camellia Japanese Teacup

Featuring the distinctive nami-yu glaze, derived from the ashes of the Kyoto forest, this teacup embodies a natural clay color of creamy-white, enhanced by the gracefully painted camellia design, an emblem of Taniguchi's passion and dedication to the craft.

Every brushstroke on this teacup displays the expertise of individual Japanese-style painters, each seeking to surpass mere decoration, infusing the piece with originality and depth. The petals boast a singular embossed and lustrous finish, offering a striking counterpoint to the leaves' subtle, watercolor shades—a flourish indicative of the painters' profound proficiency in Japanese artistic traditions. 

This direct painting on bisqued clay demands a mastery that few possess. As the paint is rapidly absorbed, it results in a lucid, transparent finish showcasing the intricacies of underglaze painting. Its muted shades of blue and brown create a subdued ambiance, unlike the bolder pigments of overglaze painting.

$21.60

Original: $72.00

-70%
Camellia Japanese Teacup

$72.00

$21.60

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Description

Featuring the distinctive nami-yu glaze, derived from the ashes of the Kyoto forest, this teacup embodies a natural clay color of creamy-white, enhanced by the gracefully painted camellia design, an emblem of Taniguchi's passion and dedication to the craft.

Every brushstroke on this teacup displays the expertise of individual Japanese-style painters, each seeking to surpass mere decoration, infusing the piece with originality and depth. The petals boast a singular embossed and lustrous finish, offering a striking counterpoint to the leaves' subtle, watercolor shades—a flourish indicative of the painters' profound proficiency in Japanese artistic traditions. 

This direct painting on bisqued clay demands a mastery that few possess. As the paint is rapidly absorbed, it results in a lucid, transparent finish showcasing the intricacies of underglaze painting. Its muted shades of blue and brown create a subdued ambiance, unlike the bolder pigments of overglaze painting.